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                <id>https://www.allaboutjazz.com/articles/?in_type=32</id><title>All About Jazz Feature Interviews</title>
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                        <updated>2025-03-25T06:42:08+00:00</updated><entry><id>https://www.allaboutjazz.com/signature-sound-that-echoes-the-angel-gabriel-a-conversation-with-maestro-leroy-jones-on-musical-tones-colours-and-meanings-leroy-jones</id><title type="html">Echoing the Angel Gabriel: Leroy Jones and his Signature Sound</title><link type="text/html" href="https://www.allaboutjazz.com/signature-sound-that-echoes-the-angel-gabriel-a-conversation-with-maestro-leroy-jones-on-musical-tones-colours-and-meanings-leroy-jones" /><content type="html">&lt;img src="" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[This story roots its preface in 2015 in JazzAscona at a press conference dedicated to jazz trumpeters and featuring a league of fantastic musicians: <a target="_blank" href="//www.allaboutjazz.com/musicians/wendell-brunious">Wendell Brunious</a>, <a target="_blank" href="//www.allaboutjazz.com/musicians/john-michael-bradford">John Michael Bradford</a>, <a target="_blank" href="//www.allaboutjazz.com/musicians/kevin-louis">Kevin Louis</a> and <a target="_blank" href="//www.allaboutjazz.com/musicians/shamarr-allen">Shamarr Allen</a>, who kindly shared their perceptions of the "trumpet as an instrument." "My trumpet is my girlfriend, I kiss her every day," Allen said with a smile back then... ]]></content><author><name>Taliya Hafiz</name></author><updated>2025-03-25T06:42:08+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/peter-erskine-revisiting-weather-report-peter-erskine</id><title type="html">Peter Erskine: Revisiting Weather Report</title><link type="text/html" href="https://www.allaboutjazz.com/peter-erskine-revisiting-weather-report-peter-erskine" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/peter-erskine-revisiting-weather-report-peter-erskine"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/64dfe5866f8338fe47e2a1ee923def4b.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[ A standout drum prodigy of his generation, <a target="_blank" href="//www.allaboutjazz.com/musicians/peter-erskine">Peter Erskine</a> began playing at the age of four. After honing his skills at Interlochen, he launched his professional career in 1972 with <a target="_blank" href="//www.allaboutjazz.com/musicians/stan-kenton">Stan Kenton</a>... ]]></content><author><name>C. Andrew Hovan</name></author><updated>2025-03-20T23:42:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/billy-mohler-emotions-and-groove</id><title type="html">Billy Mohler: Emotions and Groove</title><link type="text/html" href="https://www.allaboutjazz.com/billy-mohler-emotions-and-groove" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/billy-mohler-emotions-and-groove"><img src="https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/b62685e93a9532ad7548f98d1b403f17.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[<a target="_blank" href="//www.allaboutjazz.com/musicians/billy-mohler">Billy Mohler</a>, a bassist with diverse musical experiences, is becoming an increasingly prominent presence in the ever-evolving and vibrant Los Angeles jazz scene. With the release of his latest album and an upcoming European tour, we took the opportunity to discuss various aspects of his artistic journey... ]]></content><author><name>Vincenzo Roggero</name></author><updated>2025-03-18T23:42:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/wajdi-riahi-something-that-feels-honest</id><title type="html">Wajdi Riahi: Something That Feels Honest</title><link type="text/html" href="https://www.allaboutjazz.com/wajdi-riahi-something-that-feels-honest" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/wajdi-riahi-something-that-feels-honest"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/aad1227bf260d061876cbd06e0fb04ad.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Wajdi Riahi, a Tunisian-born, Brussels-based jazz pianist and composer, is rapidly emerging as a distinctive voice on the European jazz scene. His music, deeply rooted in the jazz tradition, is also infused with the rich melodic and rhythmic colors of his North African heritage, creating a captivating and highly personal sound... ]]></content><author><name>Ieva Pakalniskyte</name></author><updated>2025-03-15T23:42:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/kinan-azmeh-live-in-berlin-and-living-in-new-york</id><title type="html">Kinan Azmeh: Berlin and Beyond</title><link type="text/html" href="https://www.allaboutjazz.com/kinan-azmeh-live-in-berlin-and-living-in-new-york" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/kinan-azmeh-live-in-berlin-and-living-in-new-york"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/3207dc9867c5dc4501901cef003aeaa6.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Syrian-born <a target="_blank" href="//www.google.com/search?as_q=jny:+New+York" >jny: New York</a>-based clarinetist and composer <a target="_blank" href="//www.allaboutjazz.com/musicians/kinan-azmeh">Kinan Azmeh</a> and his CityBand released Live in Berlin on March 1, 2025 (recorded in 2021), dedicating the project to the people of Syria with this statement: "It moves me profoundly to be sharing this album with the world as my Syrian people are able to sing again after the long and costly struggle against tyranny and dictatorship... ]]></content><author><name>Katchie Cartwright</name></author><updated>2025-03-10T23:43:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/anat-cohen-and-oded-lev-ari-on-togetherness-the-3-cohens-and-the-art-of-interaction</id><title type="html">Anat Cohen and Oded Lev-Ari: On Togetherness, The 3 Cohens and The Art of Interaction</title><link type="text/html" href="https://www.allaboutjazz.com/anat-cohen-and-oded-lev-ari-on-togetherness-the-3-cohens-and-the-art-of-interaction" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/anat-cohen-and-oded-lev-ari-on-togetherness-the-3-cohens-and-the-art-of-interaction"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/5464718c204663f907fb15d684c82898.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[As clarinetist <a target="_blank" href="//www.allaboutjazz.com/musicians/anat-cohen">Anat Cohen</a> and arranger <a target="_blank" href="//www.allaboutjazz.com/musicians/oded-lev-ari">Oded Lev-Ari</a> sit down to chat on a frigid February morning, they're completely cognizant of a pair of major milestones on the horizon in early 2025: Anzic Records--the label they initially launched with valued partner and supporter Colin Negrych, and have long run as a two-person team--marks its 20th anniversary; and separated by a matter of weeks, each is celebrating their golden jubilee... ]]></content><author><name>Dan Bilawsky</name></author><updated>2025-03-05T23:43:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/stephen-davis-leaving-it-all-out-there</id><title type="html">Stephen Davis: Leaving It All Out There</title><link type="text/html" href="https://www.allaboutjazz.com/stephen-davis-leaving-it-all-out-there" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/stephen-davis-leaving-it-all-out-there"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/c3eef2333927d071649fbf44cea4c3bb.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA["How come I haven't heard of you before?" a surprised <a target="_blank" href="//www.allaboutjazz.com/musicians/anthony-braxton">Anthony Braxton</a> asked Northern Irish drummer/percussionist Stephen Davis. The venerable American saxophonist and composer was bowled over after playing with Davis for the first time... ]]></content><author><name>Ian Patterson</name></author><updated>2025-02-27T22:44:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/emilio-solla-uncovering-music-already-there-emilio-solla</id><title type="html">Emilio Solla: Uncovering Music Already There</title><link type="text/html" href="https://www.allaboutjazz.com/emilio-solla-uncovering-music-already-there-emilio-solla" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/emilio-solla-uncovering-music-already-there-emilio-solla"><img src="https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/5b331c86446fadafc026fe9fc364f141.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[In the '40s, the jazz scene was dominated by bebop with its roots in swing music, formerly the purview of the big band era. Trios and quartets became the combo of choice for players such as <a target="_blank" href="//www.allaboutjazz.com/musicians/charlie-parker">Charlie &quot;Yardbird&quot; Parker</a> and <a target="_blank" href="//www.allaboutjazz.com/musicians/thelonious-monk">Thelonious Monk</a>, who took the harmonies of the old jazz and superimposed them on chord substitutions, resulting in complicated improvisations... ]]></content><author><name>Dean Nardi</name></author><updated>2025-02-26T23:44:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/take-five-with-clarinet-and-composer-kinan-azmeh</id><title type="html">Take Five With Clarinet And Composer Kinan Azmeh</title><link type="text/html" href="https://www.allaboutjazz.com/take-five-with-clarinet-and-composer-kinan-azmeh" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/take-five-with-clarinet-and-composer-kinan-azmeh"><img src="https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/163e84e2e4e4d7009ee36076f00fc00b.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Meet Kinan Azmeh Hailed as a "virtuoso, intensely soulful" by The New York Times and "spellbinding" by the New Yorker, Syrian-born, Brooklyn-based genre-bending composer, clarinetist and improvisor Kinan Azmeh has been touring the globe with great acclaim. He has collaborated with <a target="_blank" href="//www.allaboutjazz.com/musicians/yo-yo-ma">Yo-Yo Ma</a>, <a target="_blank" href="//www.allaboutjazz.com/musicians/john-mclaughlin">John McLaughlin</a>, Daniel Barenboim and the New York Philharmonic, among others... ]]></content><author><name>AAJ Staff</name></author><updated>2025-02-12T08:46:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/kenny-garrett-speaks-through-the-soul-of-his-jazz-kenny-garrett</id><title type="html">Kenny Garrett Speaks Through The Soul of His Jazz</title><link type="text/html" href="https://www.allaboutjazz.com/kenny-garrett-speaks-through-the-soul-of-his-jazz-kenny-garrett" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/kenny-garrett-speaks-through-the-soul-of-his-jazz-kenny-garrett"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/120832045e6e6325be68e72e0b51647f.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance a liaison, wake in the night with a heart beating like <a target="_blank" href="//www.allaboutjazz.com/musicians/brian-blade">Brian Blade</a> hitting a snare, receive a message from another dimension, get lost in <a target="_blank" href="//www.allaboutjazz.com/musicians/miles-davis">Miles Davis</a> or <a target="_blank" href="//www.allaboutjazz.com/musicians/charlie-parker">Charlie Parker</a> or lost in space and wind up thinking about their immortal soul... ]]></content><author><name>Dean Nardi</name></author><updated>2025-02-10T23:46:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/take-five-with-violinist-and-ethel-member-kip-jones-kip-jones</id><title type="html">Take Five with violinist and ETHEL member Kip Jones</title><link type="text/html" href="https://www.allaboutjazz.com/take-five-with-violinist-and-ethel-member-kip-jones-kip-jones" /><content type="html">&lt;img src="" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Meet Kip Jones Kip Jones (violin) is known for his ebullient and innovative solo performances in a style he describes as "experimental folk." Kip is a member of the acclaimed <a target="_blank" href="//www.allaboutjazz.com/musicians/ethel">ETHEL</a> string quartet and can often be found performing at the Metropolitan Museum of Art as its Ensemble-in-Residence... ]]></content><author><name>AAJ Staff</name></author><updated>2025-02-05T23:47:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/take-five-with-saxophonist-zishi-liu</id><title type="html">Take Five with Saxophonist Zishi Liu</title><link type="text/html" href="https://www.allaboutjazz.com/take-five-with-saxophonist-zishi-liu" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/take-five-with-saxophonist-zishi-liu"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/fd586f6f0acd5b71bf04ea815233f6d9.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Meet Zishi LiuZishi Liu is a <a target="_blank" href="//www.google.com/search?as_q=jny:+Boston" >jny: Boston</a>-based saxophonist and music curator originally from China. He made history as the first Chinese artist to play at Boston's famed Regattabar in collaboration with Blue Note Jazz Club in 2025... ]]></content><author><name>AAJ Staff</name></author><updated>2025-01-27T23:48:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/works-is-the-brooklyn-trio-finding-freedom-in-space-rob-garcia</id><title type="html">Works—The Brooklyn Trio Finding Freedom in Space</title><link type="text/html" href="https://www.allaboutjazz.com/works-is-the-brooklyn-trio-finding-freedom-in-space-rob-garcia" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/works-is-the-brooklyn-trio-finding-freedom-in-space-rob-garcia"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/d0849d0a469db844197fbf152da69246.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA["I want to play music with these guys right now!" pianist <a target="_blank" href="//www.allaboutjazz.com/musicians/daniel-kelly">Daniel Kelly</a> exclaims midway through discussing Scouring for the Elements (Connection Works Records, 2024), the album from Brooklyn trio Works. Works is Kelly, flutist <a target="_blank" href="//www.allaboutjazz.com/musicians/michel-gentile">Michel Gentile</a>, and drummer <a target="_blank" href="//www.allaboutjazz.com/musicians/rob-garcia">Rob Garcia</a> and Scouring for the Elements is only their second recording in seventeen years... ]]></content><author><name>Lawrence Peryer</name></author><updated>2025-01-20T23:48:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/prepared-the-munich-trio-making-minimalism-move-chris-gall</id><title type="html">Prepared: The Munich Trio Making Minimalism Move</title><link type="text/html" href="https://www.allaboutjazz.com/prepared-the-munich-trio-making-minimalism-move-chris-gall" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/prepared-the-munich-trio-making-minimalism-move-chris-gall"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/50b4ebae23043f9fde10bd3429b329cc.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[<a target="_blank" href="//www.google.com/search?as_q=jny:+Munich" >jny: Munich</a>'s experimental music scene has yielded Prepared, a trio that merges chamber music, minimalism and dance music through a distinct lineup of prepared piano, bass clarinet and drums. The group brings together three established musicians, <a target="_blank" href="//www.allaboutjazz.com/musicians/chris-gall">Chris Gall</a>, <a target="_blank" href="//www.allaboutjazz.com/musicians/florian-riedl">Florian Riedl</a>, and Christoph Holzhauser, whose individual paths through Argentinian tango, folk music, and German hip-hop intersect in musically exciting ways... ]]></content><author><name>Lawrence Peryer</name></author><updated>2025-01-17T23:49:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/take-five-with-saxophonist-noah-peterson</id><title type="html">Take Five with Saxophonist Noah Peterson</title><link type="text/html" href="https://www.allaboutjazz.com/take-five-with-saxophonist-noah-peterson" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/take-five-with-saxophonist-noah-peterson"><img src="https://s3.amazonaws.com/allaboutjazz/photos/2010/9a20996bf0e39ab24f34fdaa4ba3e7b9.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[Meet Noah Peterson While his troubadour days are behind him, Noah continues to have musical adventures. From his many bands and explorations of different genres of music Noah always has his fingers in something. His latest adventure includes his brand new quartet recording of all original music Coming Home To You and the rebirth of The Noah Peterson Soul-Tet (recording coming later this year.) Noah has regular performances in San Antonio, TX with some stellar combos... ]]></content><author><name>AAJ Staff</name></author><updated>2025-01-16T23:49:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/chet-baker-a-conversation-in-1977</id><title type="html">Chet Baker: A Conversation in 1977</title><link type="text/html" href="https://www.allaboutjazz.com/chet-baker-a-conversation-in-1977" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/chet-baker-a-conversation-in-1977"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/677a44037e287105edbae6f14ba676a2.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[This interview took place in 1975 when Baker was making frequent trips to the Albany, New York area. At the time of this interview Baker, was playing with saxophonist Nick Brignola at Shaker's Steak House in Troy, N.Y. Back in the early 1950's, a young trumpet player whose personal appearance and demeanor was more that of an alley-way hood than of a suit and tie jazz musician, burst on the scene with a sound so gentle and lyrical that he nearly pulled the rug out from under many of the harder bebop trumpet players, and along with <a target="_blank" href="//www.allaboutjazz.com/musicians/miles-davis">Miles Davis</a>, set a style and standard for trumpet playing that was to permeate most of the decade and create a fiery controversy whose smoke remains around us to this day... ]]></content><author><name>Rob Rosenblum</name></author><updated>2025-01-13T23:49:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/the-creative-convergence-of-rtime-and-doug-hammand-reut-regev</id><title type="html">The Creative Convergence Of R*Time And Doug Hammond</title><link type="text/html" href="https://www.allaboutjazz.com/the-creative-convergence-of-rtime-and-doug-hammand-reut-regev" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/the-creative-convergence-of-rtime-and-doug-hammand-reut-regev"><img src="https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/fe874b0782e8caafddd989b51919943d.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[A metal sculpture, a borrowed ladder, and <a target="_blank" href="//www.allaboutjazz.com/musicians/doug-hammond">Doug Hammond</a>'s unexpected presence transformed a routine tour stop into the genesis of It's Now: R*Time Plays Doug Hammond (ESP-Disk, 2024). During R*Time's performance at a gallery in Linz, Austria, drummer <a target="_blank" href="//www.allaboutjazz.com/musicians/igal-foni">Igal Foni</a> spotted a metal sculpture he wanted to incorporate... ]]></content><author><name>Lawrence Peryer</name></author><updated>2025-01-10T23:50:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/vicente-archer-150-albums-grammys-and-an-unrelenting-pursuit-of-music</id><title type="html">Vicente Archer: 150 Albums, Grammys And An Unrelenting Pursuit of Music</title><link type="text/html" href="https://www.allaboutjazz.com/vicente-archer-150-albums-grammys-and-an-unrelenting-pursuit-of-music" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/vicente-archer-150-albums-grammys-and-an-unrelenting-pursuit-of-music"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/e6bed71a0dda80699e1c9d9316ae08f2.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[An instrument created in the 1500s, the acoustic bass has become a medium of harmonic and rhythmic sonority for bassist <a target="_blank" href="//www.allaboutjazz.com/musicians/vicente-archer">Vicente Archer</a>. Over the past 30 years, he has bellowed out numerous melodic and harmonic narratives through the colossal instrument--gracing each improvisational moment with imagination and curation of timbre... ]]></content><author><name>K. Shackelford</name></author><updated>2025-01-08T23:50:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/the-guitar-and-bass-duo-who-threw-away-the-script-eric-normand</id><title type="html">Brûlez les meubles: The Guitar and Bass Duo Who Threw Away the Script</title><link type="text/html" href="https://www.allaboutjazz.com/the-guitar-and-bass-duo-who-threw-away-the-script-eric-normand" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/the-guitar-and-bass-duo-who-threw-away-the-script-eric-normand"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/9c11310673caffc117314bfd19e65331.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[The name Brûlez les meubles carries a wry irony. While it literally means "burn the furniture" in English, the Québec duo playfully inverts the common French phrase "sauver les meubles" (preserve the essential). This tension between preservation and reinvention defines their artistic approach, especially on their latest album Folio #5 (Tour de Bras/Circum-Disc, 2024)... ]]></content><author><name>Lawrence Peryer</name></author><updated>2025-01-07T23:50:00+00:00</updated></entry><entry><id>https://www.allaboutjazz.com/russell-gunn-no-safety-net-no-overdubs-just-pure-and-original</id><title type="html">Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original</title><link type="text/html" href="https://www.allaboutjazz.com/russell-gunn-no-safety-net-no-overdubs-just-pure-and-original" /><content type="html">&lt;img src="<a href="https://www.allaboutjazz.com/russell-gunn-no-safety-net-no-overdubs-just-pure-and-original"><img src="https://s3.amazonaws.com/allaboutjazz/photos/a_small/9ad8d2531898ea31a234ce1759f6d752.jpg" width="90" height="90" /></a>" width="100" height="100" /&gt;&lt;br /&gt;<![CDATA[One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question and Answer interview is edited to remove repetitive comments and all the "ums" and "yeahs" that occur in normal conversation... ]]></content><author><name>Dean Nardi</name></author><updated>2025-01-06T23:50:00+00:00</updated></entry></feed>